Guide to Oils
This is not completely mine,
but a copulation of my own and from other sites.
Essential oils are used in
a wide variety of different products that you can make yourself. They’re
aromatic oils that exist within plants and flowers, and are the concentrated
essences of those plants and flowers.
Not only are essential oils
excellent for addressing skin disorder symptoms, but they can also be utilized
in the treatment of various illnesses, such as: bronchitis, headache, migraine,
mouth ulcer, gum infection, cold, kidney problems, sinusitis, urinal and
vaginal infections, asthma, hypertension, flu, nausea, menstrual pain,
insomnia, constipation and many other types of diseases.
The aroma of a pure
essential oil that is matched to specific symptoms is an excellent way to allow
the therapeutic properties found in nature adddress the condition of various
illness. Essences and oils also are beneficial in relieving the symptoms of
various types of mental disorders such as stress, tension, depression, and
anxiety, which have become quite common nowadays.
While it is possible to buy
these oils, it would ultimately be much cheaper to make them yourself, though a
bit more difficult. Later, I’m going to outline a method of extracting these
oils with little difficulty. There are better ways, which are also more
difficult ways, to do it. For now, I think it’s imperative that I give some
information on oils and methods in general; I’ll try to keep it simple.
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What essential oils are
Essential oils are one of
the great untapped resources of the world. The concentrated essences of various
flowers, fruits, herbs, and plants have been used for centuries all over the
world, far beyond even “civilaized” or documented times. Because the essential
oils are so sweet smelling, many people think they are for only charm and
fragrance - but this is a mistake. Modern scientific research has proven that
essential oils are potent, with remarkable medicinal properties. These
substances are very complex in their molecular structure, and very powerful.
The essential oil of oregano, for example, is said to be twenty-six times more
powerful as an antiseptic than phenol, which is the active ingredient in most
commercial cleansing and cleaning agents..
Unlike chemical drugs,
essential oils do not remain in the body. They leave no toxins behind, and
essential oils make much more sense as air fresheners than commercial products,
as they cleanse the air by altering the structure of the molecules creating the
smells, rather than masking the unwanted smells. They may also be used for
personal care, such as soaps, powders, perfumes, cleansing baths and the like.
Also they are known to work very well for first aid treatments, healing, body
maintenance, meditation, even use in things like incense, baby wipes and uses
for the home as well as “safe” insecticides.
At encyclopedia.com it
states:
essential oils,
volatile oils that occur in
plants and in general give to the plants their characteristic odors, flavors,
or other such properties. Essential oils are found in various parts of the
plant body (in the seeds, flowers, bark, or leaves) and are also concentrated
in certain special cells or groups of cells (glands). Because of their
properties, they are widely used in perfumes, flavorings, and medicines...They
are obtained from the plant in various ways, depending upon the nature of the
part in which they occur-by compression, by distillation with steam, by
dissolving the oils out (extraction) or absorbing them, and by pressure and
maceration."
A little documented history
The essential oils which
were regularly used in ancient Rome, Greece, and Egypt and throughout the
Middle and Far East had, as a common feature, the essence of a plant; an
identifiable aroma, flavor, or other characteristic that was of some practical
use. They were used as perfumes, food flavors, deodorants, pharmaceuticals, and
embalming antiseptics. Usually, plant material was steeped in a fatty oil or
wine that acted as a solvent for the desired flavor or aroma. The extracts
(usually impure and dilute) were used as oils or creams. They were introduced
into Europe, without further development, to become the subject of specialist
craftsmen (the English Guild of Pepperers and the French court perfumers of the
12th Century) and early
publications ("The Book of Nurture", 1430).
In Spain and France from
the early 1300s, distillation was developed to produce more concentrated
essences mof rosemary and sage. The demands of medieval pharmacy improved the
distillation process. By 1550, different trends had become obvious:
~ spike lavender oil was
being produced in France for
export as a trading
commodity,
~ flavors and aromas were
being distilled or expressed
from an increasing number
of new plant sources, and
~ pharmacists, chemists,
and physicians were studying
the physical, chemical, and
medicinal properties of
the oils.
Since then, the numbers and
types of individual oils have increased enormously. International markets and
industries have evolved to deal solely in essential oils. As a result of
twentieth century distillation technology, essential oils can now be regarded
as industrial raw materials. Their complex mixtures of chemical compounds can
be separated and the individual components used as building blocks to introduce
a particular flavor or aroma into a product.
How essential oils work
Essential oils have an
immediate impact on our sense of smell, also known as "olfaction".
When essential oils are inhaled, olfactory receptor cells are stimulated and
the impulse is transmitted to the emotional center of the brain, or
"limbic system".
The limbic system is
connected to areas of the brain linked to memory, breathing, and blood
circulation, as well as the endocrine glands which regulate hormone levels in
the body. The properties of the oil, the fragrance and its effects, determine
stimulation of these systems.
When used in massage,
essential oils are not only inhaled, but absorbed through the skin as well.
They penetrate the tissues and find their way into the bloodstream where they
are transported to the organs and systems of the body.
Essential oils have
differing rates of absorption, generally between 20 minutes and 2 hours, so it
is probably best not to bathe or shower directly following a massage to ensure
maximum effectiveness.
Notes of essential oils
Essential oils are often
described by their "note". The three categories of classification are
top note, middle note and base note, and these terms relate to the rate at
which they evaporate - or how long the fragrance will last.
Top Notes are the most
stimulating and uplifting oils. They are strongly scented, but the perfume
lasts only for approximately 3 - 24 hours. Some examples of Top note oils are:
basil, bergamot, clary sage, coriander, eucalyptus, lemongrass, neroli,
peppermint, sage and thyme.
Middle Notes are the next
longest lasting, at about 2 - 3 days, and affect the metabolic and body
functions. The perfume is less potent than that of top note oils. Some examples
of Middle note oils are: balm, chamomile, fennel, geranium, hyssop, juniper,
lavender and rosemary
Base Notes are the slowest
oils to evaporate, lasting up to one week. They have a sweet, soothing scent
and a relaxing, comforting effect on the body. Some examples of Base note oils
are: cedarwood, clove, frankincense, ginger, jasmine, rose and sandalwood
It will take a little bit
of playing around with them to learn the correct balances for your needs.
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Distillation of essential
oils
The majority of essential
oils available today are extracted using a steam distillation process. It's the
oldest form of essential oil extraction and is believed by many to be the only
way oils should be extracted. The process really is quite simple and as long as
this extraction process is closely monitored, the steam will remain at a
temperature that won't damage the plants.
The desired plant material
is placed onto a still. A still is a specialized piece of equipment that is
used in the distillation process. It consists of a vessel into which heat is
added and a device that is used for cooling. The plant is first placed into the
vessel. Next steam is added and passed through the plant. The heat from the
steam helps to open the pockets of the plant that contain the plant's aromatic
molecules or oils. Once open, the plant releases these aromatic molecules and
in this state, the fragrant molecules are able to rise along with the steam.
The vapors carrying these
molecules travel within a closed system towards the cooling device. Cold water
is used to cool the vapors. As they cool, they condense and transform into a
liquid state. The liquid is collected in a container and as with any type of
oil/water mixture, it separates. The oils float towards the top while the water
settles below. From there, it's a simple matter of removing the oils that have
been separated. These are the highly condensed, aromatic oils used in
aromatherapy.
The water is not discarded,
however. The water, which also contains the plant's aroma along with the other
parts of the plant that are water soluble, are the hydrosols - a milder form of
the essential oils. These, too are also used in aromatherapy.
.When steam is used, it's
created at a pressure higher than that of the atmosphere. The boiling point is
above 100 degrees Celsius and creates an extraction process that is safe and
fast. If the temperature is allowed to become too hot, however, the plant
material as well as its essential oils can easily become damaged.
Water Distillation
Water distillation involves
placing the desired plant material in a still and then submerging it in water.
The water is then brought to a boil. The heat helps open the pockets containing
the plant's aromatic molecules so they can be extracted. The vapors cool and
condense, the essential oils separate from the water and they're collected.
The water in this case
provides protection for the plant because it acts as a barrier. Less pressure
is used as well as a lower temperature than that which is used in the steam
distillation method. This extraction method works well with plants that cannot
tolerate high heat.
Other distillation methods
Hydro distillation is
similar to steam distillation. The only difference is that instead of
introducing the heat from the bottom and up through the still, as happens in
steam distillation, the heat passes into the still from the top. It's cooled
from below, which makes collection of the essential oils easier. This method
actually results in a higher yield of essential oils because less steam and
consequently less processing time are involved.
In a water/steam
combination distillation method, plant material is submerged into heated water
and steam is forced through the water, opening the pockets containing the aroma
molecules. When cooled, the essential oils condense and are collected as
described above.
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Types of essential oils
There are basically 3 types
of essential oils. Steam Distilled Oils, Expressed Oils, and Solvent Extracted
Absolutes.
Steam Distilled Oils These
are the true essential oils. The oils are distilled from various parts of the
plant as they are heated. This is the oldest and most traditional method of
extracting oils from plants. In the process used by the manufacturer of the
oils we sell, steam is passed through the plants in a special cooking chamber,
and the oils are carried with the steam and condensed in another chamber. The
oils are then separated from the water. Care must be taken to not overheat the
oils which can burn them and release unwanted by-products. The oils we sell are
organic and distilled in special stainless steel alloy chambers (to reduce the
possibility of the steam reacting with metal such as aluminum or copper) using
a proprietary low-pressure, low-temperature process, which does not destroy the
oil properties.
Expressed Oils These oils
are pressed from the rinds of fruits. They are not technically essential oils,
although they still have many theraputic properties. Care must be taken to use
only organic crops, because pesticides can become highly concentrated in these
oils. Some examples of expressed oils would be grapefruit, lemon, orange,
tangerine, bergamot, mandarin and citrus hystrix oils. The oils we sell are
cold pressed and organic.
Solvent Extracted Absolutes
These oils are technically essences. Because the oils are volatile and water
soluable, they would not survive distillation. The plant must firls be
distilled using a hydrocarbon solvent, like hexane, to make a solid waxy residue
called a concrete. This concrete is then distilled using pure grain alcohol to
produce the absolute. This method is mostly used for botanicals whose fragrance
and theraputic properties can only be unlocked using solvents. Examples of
solvent extracted absolutes would be jasmine and neroli.
Though I will, later, list
some dangers of some of the oils and herbs, here is a small section. Also refer
to the “herbs” thread.
First of all, Keep all
essential oils out of the reach of children. Essential oils, whether steam
distilled, expressed or absolutes are very strong. They need to be used
sparingly --a little goes a long way-- and you should always consult a reliable
reference when using them. The axiom more is better DOES NOT apply to essential
oils in general.
All essential oils are not
alike. Knowing which oils must be diluted, and which are generally regarded as
safe for use is very important. The more information you have before you start
using a particular oil, the more likely it will be that you will have the
desired outcome. Remember to consult your health care professional.
For any serious disease or
injury, you should consult your health care professional. You should not
attempt to self-diagnose or prescribe any natural substances, such as essential
oils, for serious health conditions which require professional attention. Talk
to your health care practitioner about using essential oils in your care. Many
professionals are very open to their use.
· Always consult the
properties of the individual oil and use it according to the instructions you
are given.
A patch test should be
performed, especially if the user has sensitive skin. (This is especially
important for people with allergies.)
Ingesting some oils can
cause problems, rather than solve them, or even prove fatal. Do not ingest an
oil unless you are ABSOLUTELY SURE it is safe for ingestion, and then BE VERY
CAREFUL of the amount you are using.
Never put oils directly on
children's skin.
Always do a patch test for
children and then apply oils only when diluted in a carrier oil first.
Pregnant or lactating women
should be careful of certain oils --see individual oil properties. Some oils
contain constituents with hormone-like activity, such as clary sage, sage, and
fennel. Consult your health care practitioner.
Essential oils can react
with toxins built up in the body. These can be from food, environment, or
chemicals in cleaners or personal products. If you experience a reaction, it
may be wise to
Essential oils rich in
menthol (such as peppermint) should not be used on the throat or neck area of
children under 30 months of age.
Keep essential oils away
from eye area. Do not handle contact lenses or rub eyes with essential oils on
your fingers. Oils with high phenol content (oregano, cinnamon, thyme, clove,
lemongrass, bergamot, etc.) may damage contacts and irritate eyes.
Do not put essential oils
into ears.
· Do not add undiluted
essential oils directly to bathwater. A dispersing agent, such as Bath Gel Base
should be used.
Apply oils to a small area
first.
Apply one oil or blend at a
time. When layering oils that are new to you, allow 15 to 30 minutes for the
body to respond to each one before applying the next.
Never put oils directly on
children's skin. Always do a patch test for children and then apply oils only
when diluted in a carrier oil first.
Epileptics and people with
high blood pressure should consult a health care professional before using
essential oils. Avoid hyssop, fennel, and Idaho tansy oils.
Always keep a carrier oil
handy (like olive, almond, or v-6 mixing oil) if you are applying oils directly
to the skin. The essential oils can be diluted immediately with the carrier oil
if discomfort is felt.
That being said, essential
oils are safe if used correctly. Know the oils you are using and what their
recommended uses are.
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Blending Aromatherapy
Recipes
To gain the most from
blending aromatherapy recipes it will help to understand the history behind the
perfume industry. In the early 19th century, the Englishman George William
Septimus Piesse discovered a way to classify scents. Similar to music he used
"top notes", "middle notes" and "base notes". He
called this an "odophone".
Top notes are the scents
you smell first in a perfume and include the fresh and light smelling essential
oils such as Basil, Lemon and Eucalyptus.
Middle notes are revealed
once the top notes evaporate and form the character of a blend. These middle
notes are generally floral, herbal and light woody, and spicy scents such as Geranium,
Juniper and Black Pepper.
The heavier and richer base
notes are usually woods, resins, and spices such asCedarwood, Benzoin and
Cinnamon. These base notes are warming and tend to hang around the longest and
they round off a good blend.
Ideally all blends should
contain all three notes, to keep the blend in harmony and 'in tune'! That is
the secret behind blending aromatherapy recipes.
You don't have to follow
the suggested aromatherapy perfume recipes strictly - these are merely to get
you started. Use your own creativity and personality to create your very own
personal scents. Use your favorite essential oils or the essential oils you
currently have at hand. If a recipes calls for an essential oil you don't have
replace it with another, just remember the 'odophone'.
Essential oil blends can be
used in a variety of ways including for aromatherapy perfumes, aromatherapy
diffusers, natural skin care recipes including aromatherapy body scrub recipes,
aromatherapy home recipes such air fresheners and soap.
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Essential oil extraction
There are many methods of
essential oil extraction, the most popular being steam distillation. Other
methods include expression, enfleurage, maceration, and solvent extraction.
Essential oils are
extracted from many different parts of their plants. For example, Lavender is
extracted from its flowers, Orange from the rind of its fruit, Frankincense
from the resin of its tree, Cinnamon from its bark, Pine from its needles, and
so on.
Depending on the method of
extraction and the quantity of the raw materials used, the price and quality of
the oil are determined. As an example, it takes roughly 12,000 Rose blossoms to
produce 5 ml of Rose. Whereas it take 100 kilos ofLavender leaves to produce 3
litres of Lavender. As a result Rose is roughly 24 times more expensive than
Lavender.
There are many other
factors to be taken into consideration when producing a good quality essential
oil, which is important for its full benefit. Soil quality, climatic and
geographic conditions all contribute to the overall quality of the essential
oil.
In some cases the length of
cultivation is most important. Jasmine flowers must be picked by hand at dawn
on the very first day they open. A Sandalwood tree must be 30 years old and 30
feet high before it is ready to produce its best quality oil.
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Various methods of
essential oil extraction in detail
Distillation
As mentioned earlier,
distillation is by far the most popular method for essential oil extraction.
This is mostly used for leaves, flowers, seeds, roots, and stems.
Stills are believed to date
back to the eighth century where they were used by the Arabs. Many diverse
methods have been used since, the best method is using a 'low-pressure' still
which produces the best quality essential oil for aromatherapy purposes.
Two large containers are
used. The first container has an inlet at the bottom, in which steamed water,
heated at low pressure, is sent in. This container is loaded with the aromatic
raw materials (the part of the plant to be distilled). The steam rises, gently
simmering the contents.
The heat causes the
essential oils to be released from the plant by evaporation and to travel, as
part of the steam, towards an outlet at the top of the container. This outlet
carries on into another container and coils itself all the way down. This coil
is called a serpentine.
The second large container
is filled with cold water and the serpentine is immersed into it. As the
aromatic vapors rush through the coil, the water acts as a cooling agent and
the essential oil begins to separate from the cooled steam. At the bottom of
this second container is another tube connected to a vessel called an alembic,
in which the essential oil and the water collect. Usually essential oils have a
density lighter than water so they will float on top of the water.
After this the essential
oil is separated from the water. The by-product of distillation is called a
floral water, examples are rose water, orange water and lavender water.
Expression
The essential oils of
citrus fruits extracted from their fruits using a method called expression.
This is a simple method in which machines using a centrifugal force such as
Orange, Lemon, Mandarin, Bergamot, andLime are, squeeze the rind which produces
the essential oil.
Enfleurage
Enfleurage involves using a
fixed oil, usually a vegetable oil, animal fat, or lard. A sheet of glass
mounted on a wooden frame, is spread with the fixed oil. The raw materials,
flower petals, are then placed on this. A number of these can be stacked on top
of each other. These are then placed in the sun until the fixed oil is
saturated with the essential oil.
This is then dissolved in
alcohol then the alcohol is evaporated from the essential oil. This method is
mainly used for delicate flowers such as Rose, Jasmine, Neroli, and Violet.
These will be labeled 'absolute' rather than 'essential oil'. Enfleurage is
quite rare as it is very expensive.
Maceration
Very similar to enfleurage,
maceration differs only in that the fixed oil is heated up to facilitate the
release of the essential oil.
Solvent extraction
Solvent extraction is
another method used to extract essential oils from delicate flowers such as
Rose, Jasmine, Violet, and Mimosa. This method uses volatile solvents such as
petroleum ether. The flower petals are placed on perforated metal trays. These
are then sprayed with the solvent which is absorbed by the flowers to make them
release their essences. Alcohol is then added to extract the essence. These are
also called 'absolutes' but are a slightly less expensive essential oil
extraction method than enfleurage.
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Using Carrier Oils and
Preservation Steps
Carrier Oils (Base Oils)
chose the best recipe base from these mixtures:
Base oils are used as
“carriers” for essential oils, and to dilute essential
oils because they may be
too strong to apply safely to skin. Possible carrier
oils include:
Apricot Kernel oil: This
light yellow oil provides a fine texture, is rich
in vitamins and minerals,
and a popular choice.
Castor oil: A thick, sticky
oil with a strong odor. It has good lubricating
properties.
Coconut oil: A light
colored oil that turns solid in cooler room temperatures.
A fractionated version is
exceptionally light and will not become rancid
making it a versatile
carrier oil, though not often used.
Grape seed oil: This oil
has a very fine texture, with a distinct fragrance.
It has a greenish hue. The
oil provides vitamins and minerals, and is an
antioxidant that will
extend the life of other oils. Very popular oil that
is easy to find locally.
Hazelnut oil: This oil is
medium-light, and absorbs very well. It has a nice
texture and a light and
subtle fragrance that don’t contrast greatly with
the wonderful fragrances of
natural herbs. My favorite choice for anointing
and body oils.
Jojoba oil: The properties
are similar to liquid wax, much different than
vegetable oil. It is an
antioxidant and does not turn rancid. Popular oil
for massage, it remains
heavy on skin surface.
Olive oil: Extra-Extra
virgin, cold pressed is the best quality. Olive oil
is very rich in vitamins,
protein, and mineral content. It has a distinctive,
somewhat pervasive odor,
but works well.
Sunflower Seed oil: This is
a nice lightly textured golden yellow carrier.
Good essential fatty acids
and vitamins, fair quality, low fragrance and
slow absorption.
Sweet Almond oil: A Pale
golden oil with glyceride, linoleic and olein acid.
This is a very fine skin
lubricant, rich in protein, vitamins and minerals.
Another popular
medium-light oil, my second favorite for all general use.
Wheat Germ oil: An orange
colored oil that is heavy and sticky. Very rich
in proteins, vitamins,
minerals, and vitamin E. It is used mixed with other
carrier’s oil for its
antioxidant properties that prevent degradation and
extend shelf life.
Approximate Measurements
1 drop = 0.05 ml
1 ml = 20 drops
1 teaspoon = 5 ml
1 teaspoon = 100 drops
1 tablespoon = 15 ml
1 tablespoon = 300 drops
1 ounce = 30 ml
1 ounce = 600 drops
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How-To Hints
Option 1:
For your best success, use
fresh organic herbs so that chemical preservatives
and pesticides on
commercial plants are never included in your mixture. You
may need to wild harvest,
buy from a local organic seller, or grow your own
herb garden. Forest herbs are
wonderful, also- wild flowers in untended locations
can usually be used. Herb
gardens are easy, inexpensive, and require minimal
attention. You can even
grow your favorites in a window box to start with.
Note: find a friend who has
sage herb, tradition for sage is to be grown
by another.
Please don’t take the time
to grow your own herbs just to use them in a common
vegetable oil that has
preservatives, growth chemicals and pesticides. Choose
the oil that most suits
your use. Organic olive oil might be costly but is worth the extra expense it
you are looking for something easy to find. You may want to make your own oil
base after trying these oil making options. Check out a couple health food
stores to try the recommended carrier oils.
Next, you will harvest, or
gather and prepare your herbs. Herbs should be diced finely to allow maximum
absorption in your carrier oil. Powdered herbs work best, since you can add
them directly to the oil base for a quicker result and stronger end product. If
you decide to dice, you can tie the herbs in cheese cloth, which is then placed
directly in the oil. For fresh herbs 2/3 parts oil to 1/3 herb is recommended.
Dried herbs will require a larger amount of oil; about 80% oil mixture will
work fine.
Now you need to extract the
medicinal essence from the herbs. Heating the mixture to around 100 to 115
degrees for about 2 weeks. Some people place their jars in a sunny window, or
outside where there is more exposure. You can check your oil every few days until
you achieve the desired result. Your sense of smell is the best measure.
Powdered herbs need to steep 7-14 days, diced herb take 2 or more weeks,
depending on the strength you want to achieve.
The next step is extracting
the oil from the herbs. You can twist the cheesecloth to strain the liquid into
another jar, pour off the remaining oil, and let it all settle. After a day or
two pour off the oil again to eliminate pieces of herbs and any liquid that
surfaces. Your finished oil is ready to use, or store in tightly capped dark
jars or bottles.
Hint: a couple drops of
Benzoin oil is a great natural preservative for oils
that have low antioxidants
Option 2:
Choose a carrier oil (I
prefer the overall qualities of Hazelnut & Sweet
Almond), and fresh or dried
herbs or flowers. Have one or more small Jars
with tight fitting lids
handy, to hold the mixture.
Place the base oil
(whatever oil you have decided to use) and herbs in clear jars, tightly cap.
Store in a dark cool place. Once a week for 2 weeks, vigorously shake the
mixture in the jars. In the third week, use cheesecloth to strain the mixture.
Add more herbs and oil if necessary and allow to sit for another 2 weeks. When
you have the scent that you want, strain the herbs out again and use your finished
oil or store in a dark cool place.
Option 3:
Pour your carrier oil into
your mortar; add diced, crushed, or powdered herbs a little at a time, pressing
into the oil with your pestle. When the mixture looks well blended, pour it
into a bottle. Store the bottle in a dark, place for three days. On the fourth
day smell your oil to see if it has absorbed enough of the herbal scents. When
it smells right for you it is ready to use in your spell work. Or, add more
herbs and repeat the process until your oil is as strong as you desire.
Remember to visualize your
intent while blending your ingredients. You can also speak a charm to enhance
magical properties of your recipe. Enchanting your oil and herbs will impart
your personal power into the mix. Small amounts of these oils are very
effective. Both fragrance and magic are quite strong when properly prepared.
Note: You can learn how to
create your own oils from herbs, roots and barks, and find directions for oil
blending from category “How to Make Magical Oils”. There are many other recipes
for specific magical intent. Use only natural oils for these recipes. Never use
artificial ingredients or your results will be ineffective. These recipes are
wonderful when used in making incense or as warming oil. You can anoint your
body or use them in bath preparations, unless you have a sensitivity to any of
the ingredients.
Now, another way is to use
your crock pot or slow cooker, instead of placing the ingredients in a jar for
2 weeks, you can put in the slow cooker for 6 hrs on low setting after warmed
on medium.Let cool before bottling.
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A few notes about galangal
also known as:
Galanga, Galengale,
Galingale, Garingal
Greater: Big Galangal,
Galangal Major, Java Galangal, Kaempferia, Siamese Ginger
Lesser: Aromatic Ginger,
China Root, Chinese Ginger, Colic Root, East Indian Catarrh Root, East Indian
Root, Gargaut, India Root, Siamese Ginger.
Greater
French: grand galanga
German: Galanga
Italian: galanga
Spanish: galanga
Arabic: khalanjan
Chinese: kaoliang-chiang,
ko-liang-kiang
Indian: barakalinjan,
kulanjan
Indonesian: laos
Lao: kha
Malay: languas, lenguas
Thai: kha
Lesser
French: galanga de la
Chine, galanga vrai, petit galanga
Chinese: sa leung geung,
sha geung fun
Malay: kunchor, zedoary
Sinhalese: ingurupiayati
Thai: krachai
Some of the iol recipes
call for this tricky little herb. when you deal with it a bit, u will become
more comfortable with the use of it. here are a few tips also for the storage,
use, preservation of it, and also the use of it with in some of the recipes.
** Abramelin Oil and
Galangal tips and hints
These are from various
people...thanks to them, you may have an easier time with it.
Just a side note.....if you
get galangal oil, be careful that it isn't
rancid. It does that rather
quickly. This is the information I get
from some friends that make
it.
Abramelin oil is known to
undergo some alchemical "change" as the
ingredients
"marry". I forget the particulars, but the idea is to let
it sit for a while and let
it do it's thing. You'll know when it's
ready. It clears and gets
that wonderful golden color.
Also, Galangal is said to
have certain mind-altering qualities, perhaps
a reason why it is used
instead of ginger. : ) Galangal oil is
associated with the Sun,
and all solar energies.
As for the Galangal, it
needs to be mixed with the other ingredients
ASAP in order to prevent
the rancid effect. If you find a place
that sells the essential
oil of this root, be sure they over-night it
to you in a
"cold" pack OR have it shipped via refrigerator truck.
This will add to the
expense of the oil and you really should expect
to pay approx. $150 to 200
for an ounce (shipping incl.). At least
that is the last price I
received from the Labs that make the
essential oil from the
root.
Galangal is not ginger. It
is from the same family, but not the same.
Galangal is more
"bitter", "hot". Ginger is "sweeter". It is more
popular in Thai cooking
than in Chinese cooking, where ginger is
predominant.
Olive Oil extract, or
pressed Olive Oil will work. I doubt that the
original recipes used
Extract of Olive Oil. I can almost bet that they
used the pressed.
Extraction being the more "expensive" if not the
more difficult.
I used "extra virgin
pressed". The resultant was a nice base. Very
smooth and luxuriant. I
feel that extract would scent the resultant
differently.
But then again, Do what
thou whilst!
A simple method for finding
out if the oils you are buying are *truly* non-synthetic is to taste them. Be
brave, and taste only a tiny amount on the end of a toothpick. Real cinnamon
oil is easy enough to buy at the grocery store (read the ingredients and be
sure it's not quassia, a common substitute), but I have been sold
"natural" galangal oil that was nowhere near genuine. Myrrh is very
bitter and galangal tastes like hell, but *neither* of them tastes the least
bit like perfume. If you detect the slightest bit of soapy, perfumey taste, the
oil has at least some synthetic ingredients and is likely a blend, not the real
thing. For some purposes that's just fine, but if you're going to be using it
for cakes of light, I don't recommend it.
How do you still smell
anything after the 8th sniff or so?
Coffee, love. It's an old
trick: freshly grind some coffee and give it
a sniff after each sniff or
so of the oils. It keeps your olfactory
receptors from getting
tired and accustomed to the same old smell.
One thing I have noticed is
that it's very hard to get someone who DOES make it successfully to give out
all of the steps.
Fragrances do blend or
"marry" over time. It's a molecular thing and it just takes time. My
Abramelin oil matures pretty much completely after about two or three months.
The only way I can describe the difference is that the freshly made stuff,
while definitely usable and quite nice, is more "raw" or
"green" smelling and become more mellow with age. Kind of like
people. It's a very subtle change.
I'm not sure if Abramelin
oil would go rancid over time or not. In any case, the addition of a small
amount of oil from a vitamin E capsule will keep most oils that do go rancid
from doing so.
all true essential oils
will keep with care. Remember, these are natural extracts. In most cases they
are susceptible to air, light and heat. I have a special cabinet where I keep
my extracts and essences. All oils are kept in tightly sealed jars. If I am
really worried, or the essence is highly valuable (Rose Otto), the fridge has
always worked well.
if you wish to make your
own, distilling galangal root in a grain alcohol is the most effective way of
obtaining galangal. Since you use grain alcohol, there is little or no chance
of getting rancid galangal and it keeps for years. Galangal has a strange
organic chemistry and many of the so-called experts that deal with galangal
will sell you a bad batch. So let the buyer beware. for the hard part? Where do
you get the fresh root? Assuming that is what is used in the distillation
process.....Try your local Thai grocery store.
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ABRAMELIN OIL
Abramelin Oil is a famous
formula for dressing oil whose name came about due to its having been described
in a medieval grimoire called "The Book of the Sacred Magic of Abramelin
the Mage" written by Abraham of Worms, a fifteenth century Jewish
Kabbalist. The recipe is adapted from the Jewish Holy Oil of the Tanakh, which
is described in the Book of Exodus attributed to Moses. There is quite a bit of
controversy concerning one of the ingredients, due to translation issues
surrounding a French manuscript of the book, several German manuscripts, an
Aramaic manuscript, an error in the late 19th century English translation by S.
L. McGregor Mathers (from the incomplete French manuscript), and the Hebrew
scripture from which the recipe obviously derives.
INGREDIENTS AND METHODS OF
PREPARATION
There are, especially among
English-speaking occultists, four variant forms of Abramelin Oil. In the
original manuscripts, the recipe for Abramelin Oil is as follows:
You shall prepare the
sacred oil in this manner: Take of Myrrh in tears, one part; of fine Cinnamon,
two parts; of Calamus half a part; and the half of the total weight of these
drugs of the best Olive Oil. The which aromatics you shall mix together
according unto the art of the apothecary, and shall make thereof a balsam, the
which you shall keep in a glass vial which you shall put within the cupboard
(formed by the interior) of the altar.
Those familiar with the
recipe for Jewish Holy Oil will at once recognize the derivation of this
formula, right down to the catch phrase "according unto the art of the
apothecary." Here is the recipe for Jewish Holy Oil from the Bible:
Take thou also unto thee
principal spices, of pure myrrh five hundred [shekels], and of sweet cinnamon
half so much, [even] two hundred and fifty [shekels], and of sweet calamus two
hundred and fifty [shekels], And of cassia five hundred [shekels], after the
shekel of the sanctuary, and of oil olive an hin: And thou shalt make it an oil
of holy ointment, an ointment compounded after the art of the apothecary: it
shall be an holy anointing oil. (Exodus 30:22-33)
The Bible lists five
ingredients: Myrrh, Cinnamon, Cassia, Calamus, and Olive oil.
The four ingredients listed
by Abraham of Worms in "The Book of the Sacred Magic of Abramelin the Mage"
are Myrrh, Cinnamon, Calamus, and Olive oil.
Since Cinnamon and Cassia
are two species of the same Cinnamomum genus, their doubling up into one name
by the medieval author Abraham of Worms is not unexpected. His reasons for
doing so may have been prompted by a pious decision to avoid duplicating true
Holy Oil, or by a tacit admission that in medieval Europe, it was difficult to
obtain Cinnamon and Cassia as separate products.
SAMUEL MATHERS' MISTAKE
According to the S.L.
MacGregor Mathers English translation, which derives from an incomplete French
manuscript copy of the book, the recipe is as follows:
You shall prepare the
sacred oil in this manner: Take of myrrh in tears, one part; of fine cinnamon,
two parts; of galangal half a part; and the half of the total weight of these
drugs of the best oil olive. The which aromatics you shall mix together
according unto the art of the apothecary, and shall make thereof a balsam, the
which you shall keep in a glass vial which you shall put within the cupboard (formed
by the interior) of the altar.
The four ingredients listed
by Mathers in his translation of "The Book of the Sacred Magic of
Abramelin the Mage" are Myrrh, Cinnamon, Galangal (Little John to Chew),
and Olive oil.
Mathers' substitution of
"Galangal" for "Calamus" was a poor translation on his
part; the word that he translated from the French is actually the word
"Calamus." All of the other extant manuscripts, in German and
Aramaic, also list "Calamus" as the ingredient. This mistake by
Mathers was to have repercussions in the works of later occultists, especially
Anglophones.
THE SHIFTING SYMBOLISM OF
THE INGREDIENTS
Many traditions of magic
work with plant materials, and most also assign some symbolic meanings or
ascriptions to these botanical ingredients.
In the Jewish tradition,
from whence came the original Biblical recipe upon which Abramelin Oil was
based, the Olive is a symbol of domestic felicity and stability, Myrrh (which
contains opioids) is sacred to the Lord, Calamus is known for its sweetness and
phalliform fruiting body and stands for male sexuality and love, while Cinnamon
is favored for its warming ability.
In hoodoo folk magic, these
symbolisms are somewhat changed: Myrrh and Olive remain the same, but Cinnamon
is for money and luck, and Calamus is used by both men and women to sweetly
control others. (The Matherian alternative, Galangal, is employed in protective
work, especially that involving court cases.)
Aleister Crowley had his
own symbolic view of the ingredients that he found in the Mathers translation.
He wrote:
This oil is compounded of
four substances. The basis of all is the oil of the olive. The olive is,
traditionally, the gift of Minerva, the Wisdom of God, the Logos. In this are
dissolved three other oils; oil of myrrh, oil of cinnamon, oil of galangal. The
Myrrh is attributed to Binah, the Great Mother, who is both the understanding
of the Magician and that sorrow and compassion which results from the
contemplation of the Universe. The Cinnamon represents Tiphereth, the Sun --
the Son, in whom Glory and Suffering are identical. The Galangal represents
both Kether and Malkuth, the First and the Last, the One and the Many, since in
this Oil they are One. [...] These oils taken together represent therefore the
whole Tree of Life. The ten Sephiroth are blended into the perfect gold.
("Majick, Book 4", Ch. 5)
This ridiculous mish-mash
of Greek, Jewish, and Christian fabulizing was typical of Crowley's
scholarship. Worse, due to a persistent racist bias in Crowley's works, he
repeatedly appropriated Jewish sources in Kabbalah while simultaneously
proclaiming his belief in the blood libel against Jews, namely, that they
commit ritual murder and cannibalism. There is a kind of poetic justice in the
fact that Crowley's peculiar version of Abramelin Oil burns the skin; let that
pain serve as a warning to those who would follow him that he was a sadist and
one who was fundamentally inept in the both realms of perfumery and botanical
magic, both of which he so conspicuously defiled by his deep-seated
anti-Semitism.
SIDE-EFFECTS OF MATHERS'
MISTRANSLATION
AND CROWLEY'S MIS-USE OF
ESSENTIAL OILS
Those who make Abramelin
Oil according the recipe given by Abraham of Worms are working well within the
Jewish and Christian occult traditions of the Middle Ages. Mathers' mistaken
substitution of Galangal for Calamus, coupled with Crowley's innovative use of
essential oils rather than raw ingredients in weighing out the proportions has
resulted in some interesting repercussions to those who work with various
formulas for Abramelin Oil:
· SCENT: The oils of
Mathers and Crowley have an entirely different aroma from the Jewish Abramelin
oil. The scent of Galangal is gingery and spicy whereas Calamus is florally
sweet yet a bit yeasty. Insofar as occultists work with plant materials because
they value botanical contributions to ceremonial rites, they find that these oils
produce different states of mind, of thought, of "being."
· SYMBOLISM: In Jewish,
Greek, and European magical botanic symbolism, the ascription given to Sweet
Flag or Calamus is that of male sexuality, due to the shape of the plant's
fruiting body. Crowley, following Mathers' substitution of Galangal for
Calamus, gave his own unique meaning for Galangal: "Galangal represents
both Kether and Malkuth, the First and the Last, the One and the Many."
Thus Crowley's reliance on the mistake made by his mentor, Mathers, led him to
inanely create a new meaning for Galangal and to remove from the original
Jewish Holy Oil basis, its important symbol of phallic virility.
· SKIN TOXICITY: The
original recipe for Abramelin Oil does not irritate the skin and can be applied
according to traditional Jewish and Christian religious and magical practices.
Crowley's recipe has a much higher concentration of Cinnamon than the original
recipe. This results in an oil that so uncomfortably hot on the skin that it
can actually cause skin burns or rashes if applied too liberally. Cinnamon
essential oil is listed as a dermal (skin) toxin, irritant, and sensitizer.
Safety guidelines for essential oil of Cinnamon recommend 10% dilution with 90%
neutral carrier oils such as Olive oil (Tisserand & Balacs, 1995).
Therefore, the Crowley recipe, in which Cinnamon essential oil is 38% of the
whole by weight, or almost four times the recommended safe level, can only be
used in relatively small amounts upon the skin and must be carefully placed to
avoid contact with the eyes, nostrils, or mucous membranes of the genitals or
anus. If dermal sensitivities are an issue, a skin patch test should be
conducted prior to first-time use.
· DIGESTIVE TOXICITY:
Galangal is edible, Calamus is not, being toxic. This is certainly relevant to
Thelemites who use Crowley's recipe as a flavoring for their Eucharistic Cake
of Light, giving it a mild opiate taste (from the Myrrh) and a spicy tang (from
the Cinnamon and the Ginger-like Galangal). Any use of Calamus essential oil in
such a recipe would render their sacred host inedible.
Acknowledgments
· Abraham von Worms, edited
by Beecken, Johann Richard. (1957)."Die heilige Magie des Abramelin von
Abraham." ISBN 3877020178
· Abraham von Worms, edited
by Dehn, Georg. "Buch Abramelin das ist Die egyptischen groessen
Offenbarungen. Oder des Abraham von Worms Buch der wahren Praktik in der
uralten goettlichen Magie". (Editions Araki, 2001) ISBN 3936149003
· Abraham of Worms, edited
by Dehn, Georg. "Book of Abramelin: A New Translation". (Nicholas
Hays, September 2006) ISBN 089254127X
· Abraham of Worms,
translated and edited by Mathers, S.L. MacGregor. "The Book of the Sacred
Magic of Abramelin the Mage". (1897; reprinted by Dover Publications,
1975) ISBN 0850302552
· Abraham of Worms, edited
by von Inns, Juerg. "Das Buch der wahren Praktik in der goettlichen
Magie." Diederichs Gelbe Reihe. (1988).
· Crowley, Aleister.
"Majick: Book 4." 2nd ed. York Beach, Me. : S. Weiser, 1997.
· Koenig, Peter R. (1995).
"Abramelin & Co." Hiram-Edition. ISBN 3927890243
· Tisserand, Robert &
Balacs, Tony. (1995). "Essential Oil Safety: A Guide for Health Care
Professionals" ISBN 0443052603
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Perfume/Cologne
The ingredients in a bottle
of store bought perfume or cologne cost about ten percent of the retail price,
the rest is in packaging, advertising, sales profit, and tax. Now wouldn’t you
rather put your money into really exotic essential oils that you could afford,
by simply making your own perfume? Haven’t you ever smelled a fragrance and you
just knew that if you were a perfume that this one would be you? Now these
essential oils could set you back a dollar or two, but don’t panic, you need
only a drop or two of jasmine, for example, to infuse a bottle of really
luxurious perfume. Unlike many store bought perfumes you can be sure that you
are buying the real thing.
The strength of your
aromatic liquid or perfume depends on the ratio of essential oils to water and
alcohol. Perfume is the strongest formula: 15-30 percent essential oil, 70-85
percent alcohol, and the remainder or at least 5 percent water. Be sure and use
bottled distilled or spring water only. 100 proof Vodka should be used for the
alcohol, you may also use Brandy, but it has a distinct aroma of its own and
sometimes gets in the way of blending in the essential oils. If you want to add
color, use a high quality, natural, vegetable food dye. You will also need
sterilized bottles to put your creations in, and as much as you want to use the
pretty clear cut glass bottles, please don’t. They attract perfumes worst
enemy: the sun. But if you feel you must display your new creations in a
beautiful bottle, at least store the majority of your perfume in a separate
container and only what you want to display in the pretty glass one.
Finally, you need a
notebook to record the exact formulas, in drops of essential oils, that you use
when making up your concentrate. Remember that one drop of essential oil can
change the whole formula. For instance you know you put in jasmine,
ylang-ylang, and vanilla, but was it one drop or two of jasmine, and 3 or 4
drops of vanilla? So if you stumble upon a masterpiece you sure want to have
everything nice and neat to look back on.
Concentrate of essential
oils
2 1/2 oz of 100 Proof Vodka
or Brandy
2 tbsp of Distilled or
Spring Water (add more water if needed)
Take your essential oil concentrate and add to
Vodka, stirring slowly but long enough to disperse the oils. Let this mixture
stand for 48 hours, then add 2 tbsp of distilled or spring water, again stir
slowly and thoroughly. Let this mixture stand another 48 hours. Some people let
there perfume stand anywhere from four to six weeks curing time, this way you
will get a stronger perfume, and not a cologne. This choice is up to you, just
remember if the formula seems too strong you can always add more water and
dilute it back down. After letting the perfume mature or cure, pour through a
coffee filter (so any sediment does not get in the final product) into your
bottle. Voila’ your very own signature perfume. Enjoy!!!!
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